Economist Style Guide

The Economist prides itself on good quality writing. This book is the print version of their in-house style guide which they issue to all their journalists. It's designed to promote precision and clarity in writing - and the advice it offers is expressed in a witty and succinct manner.

It gives general advice on writing skills, points out common errors and cliches, offers guidance on consistent use of punctuation, abbreviations and capital letters, and contains an exhaustive range of reference material. It also includes a special section on American and British English, a fifty-four page fact checker, and a glossary. I particularly like the section called 'Common Solecisms' which warns against popular misunderstandings and points to words often used incorrectly.




"Anticipate does not mean expect. Jack and Jill expected to marry; if they anticipated marriage, only Jill might find herself expectant. "  The emphasis of the illustrative examples is on current affairs, politics, economics, and business - but the lessons in clear expression and the examples of tangled syntax and garbled journalese will be instructive to all writers who wish to sharpen their style.

It takes quite a tilt at the language of political correctness - and I think some of the following advice might be challenged. But it is so refreshingly un-stuffy, one reads on with a smile in the mind.

Avoid, where possible, euphemisms and circumlocutions promoted by interest-groups. In most contexts the hearing-impaired are simply deaf. It is no disrespect to the disabled sometimes to describe them as crippled. Female teenagers are girls, not women. The underprivileged may be disadvantaged, but are more likely just poor.

The guidance is arranged in logical, separate sections - political terms, metaphors, apostrophes, spelling, Americanisms - so you can easily find what you need. The bulk of the advice deals with common problems of English such as the difference between 'compare with' and 'compare to', but I was glad to see that rather like Keith Waterhouse, they do not leave the excesses of their own profession unexamined.

Avoid expressions used only by journalists, such as giving people the thumbs up, the thumbs down or the green light. Stay clear of gravy trains and salami tactics.