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The Hogarth Press

historical notes - page two

All Passion Spent Virginia Woolf is now well known for her love-affair with fellow writer Vita Sackville-West. What is not so well-known is that Sackville-West's work, such as her long poem The Land (1926) and her novel All Passion Spent (1931) was also published by the Hogarth Press. In fact it sold far more copies than Woolf's work at the same time. She was a best-selling writer in every sense of the term, making money for the Press and handsome royalties for herself. It's to her credit that even when wooed by other publishers promising her larger advances, she stayed loyal to the firm. The Land was awarded the prestigious Hawthornden Prize for literature in 1926, which added to the firm's prestige.

Leonard Woolf kept the accounts for all commercial activity with the same rigour and the attention to detail that he had learned from his days as a colonial administrator. He made it a policy to answer every letter he received the same day as it landed on his desk. Each penny that went in or out of Hogarth Press was noted by him with anal-retentive exactitude - though as one of his many assistants records, this also reveals something of his dual nature:

Leonard himself was, in general, cool and philosophical about the ups and downs of publishing: his fault was in allowing trifles to upset him unduly. A penny, a halfpenny that couldn't be accounted for in the petty cash at the end of the day would send him into a frenzy that often approached hysteria... On the other hand, if a major setback occurred - a new impression, say, of a book that was selling fast lost at sea on its way from the printers in Edinburgh - he would display a sage-like calm, and shrug his shoulders.

Quack Quack As their enterprise became more successful and the volume of business grew, they felt they needed more help. A succession of younger men were employed to help run the Press - many of them aspirant young writers themselves. Amongst them was Richard Kennedy, a sixteen year old boy, who recorded his very amusing memories of the experience in A Boy at the Hogarth Press. Others included Ralph Partridge, George Rylands, Angus Davidson and John Lehmann.

John Lehmann was the longest lasting and the most serious member of the firm, He was the brother of actress Beatrix Lehmann and novelist Rosamund Lehmann, and he had two spells of employment. He worked first as an apprentice manager from 1931 to 1932. Then in 1938 when Virginia Woolf chose to give up the practical drudgery of packing and typesetting, he bought out her share and returned as part-owner and general manager.

He had ideas to transform the Hogarth Press from a cottage industry into a fully-fledged modern publishing business, and he proposed that they should raise share capital and employ publicists and agents. But his ambitions were antithetical to all Leonard's principles of self-reliance, independence, and control. Leonard argued - quite rightly as it turned out - that the strength of the Press was its independence and its policy of working with minimum overheads and outlay. He stuck to his guns, and was proved right in the end. Lehmann describes the conflict of views from his point of view in Thrown to the Woolfs, whilst Leonard gives his version of events (complete with balance sheets) in his magnificent Autobiography.

In 1939 the Press moved to Mecklenburgh Square, but it was bombed out in September 1940 during the first air raids on London. A temporary refuge was found with its printers, the Garden City Press, in Letchworth.

Monday or Tuesday Curiously enough, as John Lehmann records in his account of these years, these disasters proved to be a benefit to the press. Its editorial offices and stock rooms were in the same building as its printers, and both were a long way away from London, where other publishers were suffering losses to their inventory as a result of air raids during the war. The odd thing is that despite paper rationing, sales rose, because of general shortages: " Books that in peacetime, when there was an abundance of choice, would have sold only a few copies every month, were snapped up the moment they arrived in the shops. "

Priority was given to keeping Virginia Woolf's works in print even after her death, as well as the works of Sigmund Freud which the Press had started to publish. Other writers whose work appeared around this time were Henry Green, Roy Fuller, and William Sansom.

However, following Viginia's death in 1941, there remained only two essential decision makers on policy. Without her casting vote, the differences between Lehmann and Leonard Woolf grew wider and led to clashes. Lehmann wanted to publish Saul Bellow and Jean Paul Sartre, but Leonard said 'No'. There were also misunderstandings about income tax returns and the foreign rights to Virginia's work.

Death of My Aunt Disagreements rumbled on until after the war had ended. When the final split between them came about in 1946, Leonard solved the financial problem of raising £3,000 to keep the company afloat by persuading fellow publisher Ian Parsons of Chatto and Windus to buy out John Lehmann's share. The Hogarth Press became a limited company within Chatto & Windus, on the strict understanding that Leonard Woolf had a controlling decision on what the Hogarth Press published.

Ian Parsons was the husband of Trekkie Parsons, who had illustrated some Hogarth titles. She lived with Leonard during the week and with her husband at weekends - so they became business partners as well as sharing a wife. The slightly bizarre nature of this relationship is recorded in their collected Love Letters.

In the period after 1946, the most important books published by the Press were the multi-volume editions of Virginia Woolf's Diaries and Letters, the twenty-four volume set of The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953-1974), as well as Leonard Woolf's Autobiography. Following Leonard's death in 1969, ownership of the Press was transferred to Random House UK in 1987 when it bought out Chatto & Windus.

go   The Hogarth Press - Page One

go   The Bloomsbury Group

go   Leonard Woolf's Autobiography


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