dot-font: talking about fonts

essays on fonts, typography, and design

Essays by:
John Berry

Reviewed by:
Rating:
4
On 13 July 2010
Last modified:29 January 2015

Summary:

Illustrated essays on fonts, typography, and design history

John Berry is the former editor and publisher of U&lc (Upper and lower case) the prestigious and influential typographical journal, and he has won awards for his book designs. This is a collection of short articles on fonts and typographic design he wrote for the portal website Creativepro.com. I first came across this book when it was announced that, in common with many other authors in the digital age, John Berry was giving the book away free of charge as a PDF download. I grabbed a copy, saw it was an attractive production, and immediately ordered a copy in print. By the time I had finished reading the first few chapters, I also ordered its sister production dot-font: talking about design.

dot-font: talking about fontsThe articles range widely across issues of typography and the design of fonts – starting with an interesting historical note on the short-lived era of typography using Letraset (remember that?) . He goes on to the pleasures of old type specimen books; a review of an exhibition catalogue featuring Sumner Stone’s designs for a ‘classical’ sans-serif font (Basalt); and an appreciation of the Dutch Type Library in Hertogenbosch.

Some of the essays are in-depth studies of a single typeface – Matthew Carter’s Monticello and Herman Zapfs Optima for instance. In both cases he comments on the changes made when translating these designs into digital type, a process which generally seems to increase enormously the number of weights and sizes at which they become available.

He is quite insistent that any true typeface worthy of a distinguished name must include the full range of variants, accidentals, and special characters:

An old-style text face, based on types that were first cut and used in books in the 15th to 18th centuries, should be accompanied by old-style figures, by a complete set of f-ligatures, and by true small caps. It ought to have a set of real fractions too, or the numerators and denominators to create them. Without these, it looks as unconvincing as a callow Hollywood actor pretending to be a Shakespearean prince.

It’s a beautifully designed and illustrated production in its own right. The text is set in MVB Verdigris, the display in HTF Witney, and there are generous page margins. Yet it’s not just a glamorous design portfolio: John Berry digs into some some funamental issues of typographic theory and the use of fonts, such as the question of where the originality in reviving old typefaces ends and copying begins. It’s a book that is pleasing to the eye – but also one that will make you think.

dot-font fonts   Buy the book at Amazon UK
dot-font fonts   Buy the book at Amazon US

© Roy Johnson 2010


John D. Berry, dot-font: talking about fonts, New York: Mark Batty Publishing, 2006, pp.126, ISBN: 0977282708


Typography links

Red button Books on typography

Red button The Elements of Typographic Style

Red button The Complete Manual of Typography


Buy from Amazon US     Buy from Amazon UK

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