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A Room with a View – a study guide

plot, characters, resources, video, further reading

E.M.Forster - portrait

E.M. Forster is a bridge between the nineteenth and the twentieth century novel. He documents the Edwardian and Georgian periods in a witty and elegant prose, satirising the middle and upper classes he knew so well. He was a friend of Virginia Woolf, with whom he worked out some of the ground rules of literary modernism. These included the concept of ‘tea-tabling’ – making the substance of serious fiction the ordinary events of everyday life. He was also a member of The Bloomsbury Group.

His novels grew in complexity and depth, until he eventually gave up fiction in 1923. This was because he no longer felt he could write about the subject of heterosexual love which he did not know or feel. Instead, he turned to essays – which are well worth reading.

A Room with a View, (1905) is a comedy of manners and a satirical critique of English stuffiness and hypocrisy. Lucy Honeychurch must choose between cultured but emotionally frozen Cecil Vyse and the impulsive George Emerson. The Surrey stockbroker belt is contrasted with the magic of Florence, where she eventually ends up on her honeymoon. Upper middle-class English tourists in Italy are an easy target for Forster in some very amusing scenes.

Plot summary

A Room with a View Lucy Honeychurch, a young upper middle class woman, visits Italy under the charge of her older cousin Charlotte. At their guesthouse, in Florence, they are given rooms that look into the courtyard rather than out over the river Arno. Mr. Emerson, a fellow guest, generously offers them the rooms belonging to himself and his son George. . Lucy is an avid young pianist. Mr. Beebe an English clergyman guest, watches her passionate playing and predicts that someday she will live her life with as much gusto as she plays the piano.

Lucy’s visit to Italy is marked by several significant encounters with the Emersons. George explains that his father means well, but always offends everyone. Mr. Emerson tells Lucy that his son needs her in order to overcome his youthful melancholy. Later, Lucy comes in close contact with two quarreling Italian men. One man stabs the other, and she faints, to be rescued (and kissed) by George.

On a country outing in the hills, Lucy again encounters George, who is standing on a terrace covered with blue violets. George kisses her again, but this time Charlotte sees him and chastises him and leaves with Lucy for Rome the next day.

The second half of the book centers on Lucy’s home in Surrey, where she lives with her mother and her brother, Freddy. A man she met in Rome, the snobbish Cecil Vyse, proposes marriage to her for the third time, and she accepts him. He disapproves of her family and the country people she knows. There is a small, ugly villa available for rent in the town, and as a joke, Cecil offers it to the Emersons, whom he meets by chance in a museum. They take him up on the offer and move in, much to Lucy’s initial horror.

George plays tennis with the Honeychurches on a Sunday when Cecil is at his most intolerable. Cecil reads from a book by Miss Lavish, a woman who also stayed with Lucy and Charlotte in Florence. The novel records a kiss among violets, so Lucy realizes that Charlotte let the secret out. In a moment alone, George kisses her again. Lucy tells him to leave, but George insists that Cecil is not the right man for her. Lucy sees Cecil in a new light, and breaks off her engagement that night.

However, Lucy will not believe that she loves George; she wants to stay unmarried and travel to Greece with some elderly women she met in Italy. She meets old Mr. Emerson by chance, who insists that she loves George and should marry him, because it is what her soul truly wants. Lucy realizes he is right, and though she must fly against convention, she marries George, and the book ends with the happy couple staying together in the Florence pension again, in a room with a view.

Study resources

A Room with a View – Penguin Classics edition

A Room with a View – unabridged classics Audio CD

A Room with a View – BBC audio books edition (Unabridged)

A Room with a View – Merchant-Ivory film on VHS

A Room with a View – eBook version at Project Gutenberg

A Room with a View – audioBook version at LibriVox

E.M.Forster at Wikipedia – biographical notes, links

E.M.Forster at Mantex – tutorials, web links, study resources

Principal characters

Lucy Honeychurch	a musical and spirited girl
Mrs Honeychurch	her mother, a widow
Freddy	her brother
Charlotte Bartlett	Lucy’s older, poorer cousin and an old maid
Mr Emerson	a liberal, plain-speaking widower
George Emerson	his truth-seeking son
Cecil Vyse	an over-cultivated snob
Mr Beebe	the rector in Lucy’s home town
Miss Lavish	lady novelist with strident, commonplace views
Mr Eager	self-righteous British chaplain in Florence

Film version

Merchant-Ivory 1985 film adaptation

This is a production which takes one or two minor liberties with the original novel. But it’s still well acted, with the deliciously pouting Helena Bonham Carter as the heroine, Denholm Eliot as Mr Emerson, Daniel Day-Lewis as a wonderfully pompous Cecil Vyse, and Maggie Smith as the poisonous hanger-on Charlotte. The settings are delightfully poised between Florentine Italy and the home counties stockbroker belt. I’ve watched it several times, and it never ceases to be visually elegant and emotionally well observed. This film was nominated for eight Academy awards when it appeared, and put the Merchant-Ivory team on the cultural map.

See reviews of the film at the Internet Movie Database

Film – interview

Daniel Day Lewis on Cecil Vyse

Other works by E.M. Forster

Where Angels Fear to Tread (1902) is Forster’s first novel and a witty debut. A spirited middle-class English girl goes to Italy and becomes involved with a local man. The English family send out a party to ‘rescue’ her (shades of Henry James) – but they are too late; she has already married him. However, when a baby is born, the family returns with renewed hostility in an effort to reclaim the child. The clash between living spirit and deadly rectitude is played out with amusing and tragic consequences.

The Longest Journey (1907) is one for specialists, and is widely regarded as Forster’s ‘problem’ novel. That is, it deals with important personal issues, but is not so well executed as his other works. His protagonist Rickie sets out from Cambridge with the intention of writing. In order to marry the beautiful but shallow Agnes. However, he becomes a schoolmaster instead. This abandonment of personal values for those of the world leads him gradually into a living death of conformity and spiritual hypocrisy.

Howards End, (1910) is a State of England novel, and possibly Forster’s greatest work – though that’s just my opinion. Two families are contrasted: the intellectual and cultivated Schlegels, and the capitalist Wilcoxes. A marriage between the two leads to spiritual rivalry over the possession of property. Following on their social coat tails is a working-class would-be intellectual who is caught between two conflicting worlds. The outcome is a mixture of tragedy and resignation, leavened by hope for the future in the young and free-spirited.

A Passage to India, (1923) was started in 1913 then finished partly in response to the Amritsar massacre of 1919. Snobbish and racist colonial administrators and their wives are contrasted with sympathetically drawn Indian characters. Dr Aziz is groundlessly accused of assaulting a naive English girl on a visit to the mystic Marabar Caves. There is a set piece trial scene, in which she dramatically withdraws any charges. The results strengthen the forces of Indian nationalism, which are accurately predicted to be successful ‘after the next European war’ at the end of the novel. Issues of politics, race, and gender, set against vivid descriptions of Chandrapore and memorable evocations of the surrounding landscape. This is generally regarded as Forster’s masterpiece.

Maurice, (1967) is something from Forster’s bottom drawer. It was written in 1913-14, but not published until after his death. It’s an autobiographical novel of his gay university days which is sufficiently explicit that it couldn’t be published in his own lifetime. It’s light, amusing, and fairly inconsequential compared to the novels he wrote whilst pretending to be straight. This poses an interesting critical problem, when you would imagine he could have been more honest and therefore more successful.

Aspects of the Novel, (1927) was originally a series of lectures on the nature of fiction. Forster discusses all the common elements of novels such as story, plot, and character. He shows how they are created, with all the insight of a skilled practitioner. Drawing on examples from classic European literature, he writes in a way which makes it all seem very straightforward and easily comprehensible. This book is highly recommended as an introduction to literary studies.

Collected Short Stories is like a glimpse into Forster’s workshop – where he tried out ideas for his longer fictions. This volume contains his best stories – The Story of a Panic, The Celestial Omnibus, The Road from Colonus, The Machine Stops, and The Eternal Moment. Most were written in the early part of Forster’s long career as a writer. Rich in irony and alive with sharp observations on the surprises in life, the tales often feature violent events, discomforting coincidences, and other odd happenings that throw the characters’ perceptions and beliefs off balance.

E.M.Forster: A Life is a readable and well illustrated biography by P.N. Furbank. This book has been much praised for the sympathetic understanding Nick Furbank brings to Forster’s life and work. It is also a very scholarly book, with plenty of fascinating details of the English literary world during Forster’s surprisingly long life. It has become the ‘standard’ biography, and it is very well written too. Highly recommended.

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