Heart of Darkness – a study guide
plot, characters, resources, videos, writing
Heart of Darkness (1902) is a tightly controlled novella which has assumed classic status as an account of the process of Imperialism. It documents the search for a mysterious Kurtz, who has ‘gone too far’ in his exploitation of Africans in the ivory trade. The reader is plunged deeper and deeper into the ‘horrors’ of what happened when Europeans invaded the continent. This might well go down in literary history as Conrad’s finest and most insightful achievement, and it is based on his own experiences as a sea captain.

Joseph Conrad – portrait
Heart of Darkness – plot summary
The story opens with five men on a boat on the river Thames. Marlow begins telling a story of a job he took as captain of a steamship in Africa. He begins by ruminating on how Britain’s image among Ancient Roman officials must have been similar to Africa’s image among nineteenth century British officials. He describes how his aunt secured the job for him. When he arrives in Africa, he encounters many men he dislikes as they strike him as untrustworthy. They speak of a man named Kurtz, who has a reputation as a rogue ivory collector, but who is “essentially a great musician,” a journalist, a skilled painter and “a universal genius.”
Marlow arrives at the Central Station run by the general manager, an unwholesome conspiratorial character. He finds that his steamship has been sunk and spends several months waiting for parts to repair it. Kurtz is rumored to be ill, making the delays in repairing the ship all the more costly. Marlow eventually gets the parts and he and the manager set out with a few agents and a crew of cannibals on a long, difficult voyage up river. The dense jungle and oppressive silence make everyone aboard a little jumpy and the occasional glimpse of a native village or the sound of drums works the voyagers into a frenzy.
Marlow and his crew come across a hut with stacked firewood together with a note saying that the wood is for them but that they should approach cautiously. Shortly after the steamer has taken on the firewood it is surrounded by a dense fog. When the fog clears, the ship is attacked by an unseen band of natives, who fire arrows from the safety of the forest. A Russian trader who meets them as they come ashore, assures them that everything is fine and informs them that he is the one who left the wood. Kurtz has established himself as a god with the natives and has gone on brutal raids in the surrounding territory in search of ivory.
Marlow and his crew take the ailing Kurtz aboard their ship and depart. Kurtz is lodged in Marlow’s pilothouse and Marlow begins to see that Kurtz is every bit as grandiose as previously described. During this time, Kurtz gives Marlow a collection of papers and a photograph for safekeeping. Both had witnessed the Manager going through Kurtz’s belongings. The photograph is of a beautiful woman whom Marlow assumes is Kurtz’s love interest.
One night Marlow happens upon Kurtz, obviously near death. As Marlow comes closer with a candle, Kurtz seems to experience a moment of clarity and speaks his last words: “The horror! The horror!” Marlow believes this to be Kurtz’s reflection on the events of his life. Marlow does not inform the Manager or any of the other voyagers of Kurtz’s death; the news is instead broken by the Manager’s child-servant.
Marlow later returns to his home city and is confronted by many people seeking things and ideas of Kurtz. Marlow eventually sees Kurtz’s fiancée about a year later; she is still in mourning. She asks Marlow about Kurtz’s death and Marlow informs her that his last words were her name — rather than, as really happened, “The horror! The horror!”
The story’s conclusion returns to the boat on the Thames and mentions how it seems as though the boat is drifting into the heart of the darkness.
Study resources
Heart of Darkness – Oxford University Press edition
Heart of Darkness – Penguin Classics edition
Heart of Darkness – Wordsworth Classics edition
Heart of Darkness – eBook version at Project Gutenberg
Heart of Darkness – York Notes (Advanced)
Heart of Darkness – audioBook version (unabridged)
Joseph Conrad’s Heart of Darkness: A Casebook
Conrad’s ‘Heart of Darkness’ – criticism and commentary
Joseph Conrad’s ‘Heart of Darkness’ – criticism and commentary
Joseph Conrad: ‘Heart of Darkness’ – criticism and commentary
Joseph Conrad’s ‘Heart of Darkness’ – criticism and commentary
Conrad’s ‘Heart of Darkness’ – criticism and commentary
An Image of Africa: Racism in Conrad’s ‘Heart of Darkness’
Heart of Darkness – audioBook at LibriVox
Joseph Conrad at Wikipedia – biographical notes, links
Joseph Conrad at Mantex – tutorials, web links, study resources
Heart of Darkness – film adaptation
Francis Ford Coppola’s adaptation of Heart of Darkness transforms events from Europe’s imperialist exploitation of the the Belgian Congo to America’s war in Vietnam in the 1960s. It remains amazingly faithful to the original, even whilst translating the settings and events into the fully mechanised assault of the world’s most powerful industrial nation against a country of poor farmers and peasants. Marlow becomes Captain Willard, who is sent on a mission to terminate (‘with extreme prejudice’) the command of rogue Major Kurtz, who has gone over the border into Cambodia with a band of followers.
Francis Ford Coppola adaptation 1979
See reviews of the film at the Internet Movie Database
Principal characters
| I | an unnamed outer narrator who relays Marlow’s story |
| Marlow | a ferry-boat captain, the principal character and narrator of events |
| Kurtz | chief of the Inner Station of Belgian ivory traders |
| General manager | chief of the Outer Station |
| Chief accountant | impeccably dressed functionary |
| Pilgrims | greedy agents of the Outer Station |
| Cannibals | natives hired as steamer crew |
| Russian trader | a disciple of Kurtz with patched clothes |
| Helmsman | native sailor who is killed in the attack on the boat |
| Kurtz’s African mistress | powerful and mysterious woman who never speaks |
| Kurtz’s ‘intended’ | his devoted fiancee in Bussels |
| Aunt | relative who secures Marlow his job |
Biography
The Cambridge Companion to Joseph Conrad offers a series of essays by leading Conrad scholars aimed at both students and the general reader. There’s a chronology and overview of Conrad’s life, then chapters that explore significant issues in his major writings, and deal in depth with individual works. These are followed by discussions of the special nature of Conrad’s narrative techniques, his complex relationships with late-Victorian imperialism and with literary Modernism, and his influence on other writers and artists. Each essay provides guidance to further reading, and a concluding chapter surveys the body of Conrad criticism.

Manuscript page from Heart of Darkness
Joseph Conrad’s Heart of Darkness is a good introduction to Conrad and criticism of the text. It includes a potted biography, an outline of the novella, and pointers towards the main critical writings – from the early comments by his contemporaries to critics of the present day. The latter half of the book is given over to five extended critical readings of the text. These represent what are currently perceived as major schools of literary criticism – neo-Marxist, historicism, feminism, deconstructionist, and narratological.
Further reading
Amar Acheraiou Joseph Conrad and the Reader, London: Macmillan, 2009.
Jacques Berthoud, Joseph Conrad: The Major Phase, Cambridge: Cambridge University Press, 1978.
Muriel Bradbrook, Joseph Conrad: Poland’s English Genius, Cambridge: Cambridge University Press, 1941
Harold Bloom (ed), Joseph Conrad (Bloom’s Modern Critical Views, New Yoprk: Chelsea House Publishers, 2010
Hillel M. Daleski , Joseph Conrad: The Way of Dispossession, London: Faber, 1977
Daphna Erdinast-Vulcan, Joseph Conrad and the Modern Temper, Oxford: Oxford University Press, 1991.
Aaron Fogel, Coercion to Speak: Conrad’s Poetics of Dialogue, Cambridge, Mass: Harvard University Press, 1985
John Dozier Gordon, Joseph Conrad: The Making of a Novelist, Cambridge, Mass: Harvard University Press, 1940
Albert J. Guerard, Conrad the Novelist, Cambridge, Mass: Harvard University Press, 1958
Robert Hampson, Joseph Conrad: Betrayal and Identity, Basingstoke: Macmillan, 1992
Jeremy Hawthorn, Joseph Conrad: Language and Fictional Self-Consciousness, London: Edward Arnold, 1979
Jeremy Hawthorn, Joseph Conrad: Narrative Technique and Ideological Commitment, London: Edward Arnold, 1990
Jeremy Hawthorn, Sexuality and the Erotic in the Fiction of Joseph Conrad, London: Continuum, 2007.
Owen Knowles, The Oxford Reader’s Companion to Conrad, Oxford: Oxford University Press, 1990
Jakob Lothe, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008
Gustav Morf, The Polish Shades and Ghosts of Joseph Conrad, New York: Astra, 1976
Ross Murfin, Conrad Revisited: Essays for the Eighties, Tuscaloosa, Ala: University of Alabama Press, 1985
Jeffery Myers, Joseph Conrad: A Biography, Cooper Square Publishers, 2001.
Zdzislaw Najder, Joseph Conrad: A Life, Camden House, 2007.
George A. Panichas, Joseph Conrad: His Moral Vision, Mercer University Press, 2005.
John G. Peters, The Cambridge Introduction to Joseph Conrad, Cambridge: Cambridge University Press, 2006.
James Phelan, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008.
Edward Said, Joseph Conrad and the Fiction of Autobiography, Cambridge Mass: Harvard University Press, 1966
Allan H. Simmons, Joseph Conrad: (Critical Issues), London: Macmillan, 2006.
J.H. Stape, The Cambridge Companion to Joseph Conrad, Cambridge: Cambridge University Press, 1996
John Stape, The Several Lives of Joseph Conrad, Arrow Books, 2008.
Peter Villiers, Joseph Conrad: Master Mariner, Seafarer Books, 2006.
Ian Watt, Conrad in the Nineteenth Century, London: Chatto and Windus, 1980
Cedric Watts, Joseph Conrad: (Writers and their Work), London: Northcote House, 1994.

Joseph Conrad’s writing table
Other novels by Joseph Conrad
Nostromo (1904) is Conrad’s ‘big’ political novel – into which he packs all of his major subjects and themes. It is set in the imaginary Latin-American country of Costaguana – and features a stolen hoard of silver, desperate acts of courage, characters trembling on the brink of moral panic. The political background encompasses nationalist revolution and the Imperialism of foreign intervention. Silver is the pivot of the whole story – revealing the courage of some and the corruption and destruction of others. Conrad’s narration is as usual complex and oblique. He begins half way through the events of the revolution, and proceeds by way of flashbacks and glimpses into the future.
Buy the book here
Under Western Eyes (1911) is the story of Razumov, a reluctant ‘revolutionary’. He is in fact a coward who is mistaken for a radical hero and cannot escape from the existential trap into which this puts him. This is Conrad’s searing critique of Russian ‘revolutionaries’ who put his own Polish family into exile and jeopardy. The ‘Western Eyes’ are those of an Englishman who reads and comments on Razumov’s journal – thereby creating another chance for Conrad to recount the events from a very complex perspective. Razumov achieves partial redemption as a result of his relationship with a good woman, but the ending, with faint echoes of Dostoyevski, is tragic for all concerned.
Buy the book here
Joseph Conrad links
Joseph Conrad – tutorials, biography, study guides
Joseph Conrad – greatest works
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